Symbol and Meaning
A symbol differs fundamentally from a word in a technical language. In semiotic theory, a sign may function as a conventional marker, but a symbol operates through depth, resonance, and layered meaning (Eco, 1976). Umberto Eco explains that symbols invite interpretation because they are “open” structures whose meanings are not exhausted by any single explanation (Eco, 1984). When a symbol is mistaken for a closed linguistic unit, its richness is flattened into a definition.
Paul Ricoeur argues that “the symbol gives rise to thought” (Ricoeur, 1967, p. 15). A symbol is not merely something decoded; it provokes reflection and self-examination. Its purpose is not to communicate information efficiently but to stimulate inward engagement. If Masonic symbols are treated as code—objects to decipher rather than realities to contemplate—they cease to generate thought. They become static artifacts rather than dynamic catalysts.
The Moral Function of Masonic Symbolism
Freemasonry emerged from a long tradition of initiatory and symbolic instruction. Albert Pike described Masonic symbols as invitations to philosophical inquiry rather than dogmatic statements. He wrote that the ceremonies are “not the reading of an essay, but the opening of a problem, requiring research” (Pike, 1871/2005, p. 21). This framing is essential. The symbol is a problem posed to the initiate, not a sentence to be memorized.
Mircea Eliade’s work on symbolism reinforces this point. He observes that symbols in traditional societies function to orient the individual within a moral and cosmological order (Eliade, 1959). They are not simply explanatory devices but existential guides. The loss of symbolic understanding, Eliade argues, contributes to spiritual disorientation. When the Square is treated as a definition rather than a discipline, its orienting power diminishes.
The Square, in operative architecture, measures right angles. In speculative Masonry, it measures conduct. To reduce it to a statement—“the Square means morality”—is to substitute abstraction for action. As Aristotle argued, moral excellence is not acquired by knowing definitions but by repeated practice (Aristotle, trans. 2009). A man becomes just by doing just acts, not by reciting the meaning of justice. Likewise, the Mason becomes upright not by articulating the symbolic meaning of the Square, but by submitting his behavior to its measure.
The Danger of Literalism
Literalism offers intellectual comfort. It provides certainty. In symbolic systems, however, certainty often signals reduction. Ernst Cassirer noted that human beings are “symbolic animals” who construct meaning through forms that transcend mere linguistic description (Cassirer, 1944). When symbols are collapsed into literal propositions, their formative role in shaping consciousness is undermined.
In the context of Freemasonry, literalism produces several distortions. First, it encourages dogmatism. If a symbol has one fixed meaning, disagreement becomes deviation. Second, it shifts attention from ethical application to speculative mastery. One may pride himself on knowing the “true meaning” of a symbol while neglecting its demands upon his character. Third, it fosters esoteric elitism. When symbols are treated as hidden codes, the emphasis shifts from moral construction to secret knowledge.
Ricoeur’s hermeneutics warns against this reduction. He argues that interpretation must preserve the surplus of meaning within the symbol (Ricoeur, 1976). The symbol’s power lies precisely in its inexhaustibility. When a Mason insists that the Square “means” one thing and one thing only, he closes the very space in which reflection and growth occur.
Construction Versus Codification
Freemasonry frequently speaks of building—of erecting a temple not made with hands. Construction implies labor, measurement, correction, and refinement. Codification implies classification and cataloging. These are not the same enterprise. To construct character is an ethical discipline; to codify symbols is an intellectual exercise.
Aristotle’s insistence that virtue is formed through habituation (Aristotle, trans. 2009) aligns with the constructive model. The Square functions not as a linguistic statement but as a moral instrument. It confronts the Mason with a question: does this action align with a fixed standard? The answer is not found in a dictionary but in conduct.
Cassirer’s philosophy of symbolic forms reminds us that symbols shape reality rather than merely describe it (Cassirer, 1944). When the Square is treated as an active form shaping behavior, it fulfills its purpose. When it is treated as a sentence to be parsed, it becomes inert.
Reclaiming the Symbol
To reclaim Masonic symbolism is to restore its moral centrality. The initiate must resist the temptation to reduce the Craft to hidden language. Symbols are not passwords; they are principles embodied in image and tool. They demand application.
Eliade reminds us that authentic symbolism reorients the individual toward meaning (Eliade, 1959). The Square reorients the Mason toward rectitude. Its work is accomplished not when its meaning is explained, but when its standard is lived.
Conclusion
The Square is not a sentence. It does not exist to be translated into a tidy moral definition. It exists to measure. When Masonic symbols are mistaken for language, the Craft risks becoming an intellectual game rather than a discipline of character. Symbolic understanding requires humility, reflection, and practice. It requires that the initiate submit himself to the tool rather than master it as a code.
The health of Freemasonry depends upon remembering that its symbols are instruments of construction. They are not vocabulary to be recited but standards to be applied. In reclaiming the Square as moral measurement rather than linguistic statement, the Mason returns to the essential labor of the Craft: building the temple within.
References
Aristotle. (2009). Nicomachean ethics (W. D. Ross, Trans.). Oxford University Press. (Original work published ca. 350 B.C.E.)
Cassirer, E. (1944). An essay on man: An introduction to a philosophy of human culture. Yale University Press.
Eco, U. (1976). A theory of semiotics. Indiana University Press.
Eco, U. (1984). Semiotics and the philosophy of language. Indiana University Press.
Eliade, M. (1959). The sacred and the profane: The nature of religion (W. R. Trask, Trans.). Harcourt.
Pike, A. (2005). Morals and dogma of the Ancient and Accepted Scottish Rite of Freemasonry. Sacred-Texts. (Original work published 1871)
Ricoeur, P. (1967). The symbolism of evil. Beacon Press.
Ricoeur, P. (1976). Interpretation theory: Discourse and the surplus of meaning. Texas Christian University Press.






