Freemasonry has long described itself as a moral system expressed through symbol and allegory. Albert G. Mackey famously defined it as “a system of morality, veiled in allegory and illustrated by symbols” (Mackey, 1873). At its center stands the idea of building an inner temple, an edifice not made with hands, representing the disciplined and harmonized human character. The working tools of the craft, especially the square, level, and plumb, are not relics of operative stonework alone but moral instruments applied to the inner life. Through initiation, progressive instruction, and symbolic labor, the Mason is taught to refine his conduct, regulate his passions, and align himself with a higher moral order. The stated end is not abstract knowledge but transformation of the individual.
Early Buddhism, by contrast, presents itself without allegorical architecture or ceremonial initiation. The Buddha consistently refused to engage in speculative metaphysics or ritual formalism, directing attention instead to the immediate problem of suffering and its cessation. In the Four Noble Truths, he diagnosed suffering (dukkha), identified its cause in craving and ignorance, affirmed the possibility of its cessation, and prescribed the Noble Eightfold Path as the means (Rahula, 1959). Central to this teaching is the doctrine of anattā, or non-self, which denies the existence of a permanent, independent essence behind human experience. What is conventionally called the self is understood as a temporary aggregation of physical and mental processes. Liberation arises not from perfecting this self but from seeing through the illusion that it is fixed or ultimate.
At first glance, Freemasonry’s language of refinement and Buddhism’s insistence on relinquishment appear to stand in tension. Masonry speaks of perfecting the stone; Buddhism speaks of realizing emptiness. Yet this apparent contradiction softens when the inner temple is understood as pedagogical rather than ontological. The building is not the final goal but a means of instruction. The rough ashlar represents the unexamined personality, necessary as a starting point but unsuitable as a permanent foundation. Through discipline, measure, and balance, the individual constructs a coherent moral structure. In time, however, that very structure reveals the ego as provisional. Similarly, Buddhist practice employs ethical discipline, concentration, and wisdom not to solidify identity but to expose its conditioned nature. In both traditions, form is used to disclose the limits of form.
The correspondence becomes clearer when the Masonic working tools are considered alongside the Noble Eightfold Path. The plumb, which tests vertical alignment, admonishes the Mason to walk uprightly in relation to God and humanity (Mackey, 1873). Symbolically, it represents alignment with truth beyond personal preference. This parallels Right View and Right Intention in Buddhism, which ground the path in an accurate understanding of reality, including impermanence and non-self (Majjhima Nikāya 117). Just as gravity determines the line of the plumb, reality itself determines Right View; the ego is displaced as the final authority.
The square, emblematic of moral rectitude, is traditionally said to regulate actions and ensure fairness in conduct (Preston, 1772). In Buddhist terms, this corresponds to Right Speech, Right Action, and Right Livelihood. Ethical restraint is not cultivated to create a moral identity but to reduce harm and weaken self-centered habits. The Buddha explicitly warned that attachment even to rules and observances could become a fetter (Majjhima Nikāya 22). Likewise, the square is a tool to be used, not an emblem to be worn. It disciplines behavior so that the ego cannot hide in chaos, yet it must eventually be set aside to prevent the ego from hiding in virtue.
The level, teaching equality, reminds the Mason that all stand on the same plane in relation to time, mortality, and moral worth (Preston, 1772). Applied inwardly, it flattens the hierarchy of mental states and social roles. This resonates with Right Effort, Right Mindfulness, and Right Concentration, which cultivate non-preferential awareness of body, feelings, mind, and phenomena (Majjhima Nikāya 10). Thoughts, emotions, and identities arise and pass without being elevated to self. The level thus symbolizes an evenness of awareness in which no experience is granted ultimate status.
Both Freemasonry and Buddhism also employ the logic of initiation, though in different registers. Masonic initiation is explicitly symbolic, often described as a death to the former life and a rebirth into a new way of being. Mircea Eliade observed that initiation rites across cultures enact a rupture with prior identity and a reorientation of existence (Eliade, 1958). Buddhist awakening lacks ceremonial drama, yet it entails a comparable transformation: the dissolution of ignorance and the irreversible shift in perception regarding self and reality. Where Masonry externalizes initiation through ritual and symbol, Buddhism internalizes it through insight and practice.
The Buddha’s Middle Way offers another point of convergence. Rejecting both indulgence and extreme asceticism, he taught a balanced path grounded in wisdom and compassion. Freemasonry likewise emphasizes proportion, harmony, and balance, warning against excess in passion as well as rigidity in conduct. In both systems, the mature practitioner is ethical without moral pride, disciplined without self-denial as identity, and active without attachment to results.
Calling the Buddha a master, then, is not to assign him rank within a fraternal order but to acknowledge mastery of the inner work itself. His life and teaching function as a mirror in which Freemasonry’s highest claims can be examined. If Masonry is to be more than a collection of rituals and titles, it must point beyond itself toward genuine transformation. Buddhism demonstrates what such transformation looks like when pursued without symbolism or institutional structure, stripped to its essentials.
The Buddha was not a Freemason, and no serious inquiry should suggest otherwise. Yet he exemplified the same inner mastery that Freemasonry symbolically seeks: ethical discipline, clarity of perception, and freedom from egoic illusion. The temple is built, the path is walked, and in both traditions the final insight is the same. The self, once necessary as a starting point, is seen through and released. What remains is not an identity but a way of being aligned with truth.
References
Eliade, M. (1958). Rites and symbols of initiation: The mysteries of birth and rebirth. Harper & Row.
Mackey, A. G. (1873). An encyclopedia of freemasonry and its kindred sciences. Moss & Company.
Majjhima Nikāya. (1995). The middle length discourses of the Buddha (B. Ñāṇamoli & B. Bodhi, Trans.). Wisdom Publications.
Preston, W. (1772). Illustrations of masonry. London.
Rahula, W. (1959). What the Buddha taught. Grove Press.
The Dhammapada. (1995). The Dhammapada (J. Ross Carter & M. Palihawadana, Trans.). Oxford University Press.






